Difference between revisions of "Ballads"
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| − | + | In light of the great interest that folklorists have shown in ballads, it is interesting that 21 martyr ballads from early [[Anabaptism|Anabaptism]] were included in the 1583 <em> [[Ausbund|Ausbund]] </em> (hymnbook). All depict the [[Martyrdom, Theology of|martyrdom]] of a particular person. | |
Hymns 9 and 29, by [[Büchel, Hans (16th century)|Hans Büchel]], are romantic stories of a young maiden and knight, respectively, who die in distant places, the maiden also in the far distant past. The remaining hymns (10 through 28) depict actual 16th-century [[Anabaptism|Anabaptist]] martyrs from commonplace backgrounds. The typical plot follows a sequence of arrest, trial, and execution. The trial scenes usually include much dialogue, sometimes on such Anabaptist issues as [[Baptism|baptism]], rejection of the sacraments (eucharist and confession), the oath, the papacy, the church, and the ban. The narration is simple and understated; the concluding martyrdom stresses the grace of God that enables the believer to be strong to the end. | Hymns 9 and 29, by [[Büchel, Hans (16th century)|Hans Büchel]], are romantic stories of a young maiden and knight, respectively, who die in distant places, the maiden also in the far distant past. The remaining hymns (10 through 28) depict actual 16th-century [[Anabaptism|Anabaptist]] martyrs from commonplace backgrounds. The typical plot follows a sequence of arrest, trial, and execution. The trial scenes usually include much dialogue, sometimes on such Anabaptist issues as [[Baptism|baptism]], rejection of the sacraments (eucharist and confession), the oath, the papacy, the church, and the ban. The narration is simple and understated; the concluding martyrdom stresses the grace of God that enables the believer to be strong to the end. | ||
Victor G. Doerksen, who has made the closest study of the formal qualities of these songs, emphasizes their differences from the ballads admired by poets of the Romantic Era. However, he says little about their relationship to other Protestant martyr ballads of their day and does not speculate on whether or not the Anabaptist ballads circulated orally before they were written down (and, are therefore, truly " folk") or, instead, were written for publication (and are therefore "literary"). Available evidence supports the latter case. | Victor G. Doerksen, who has made the closest study of the formal qualities of these songs, emphasizes their differences from the ballads admired by poets of the Romantic Era. However, he says little about their relationship to other Protestant martyr ballads of their day and does not speculate on whether or not the Anabaptist ballads circulated orally before they were written down (and, are therefore, truly " folk") or, instead, were written for publication (and are therefore "literary"). Available evidence supports the latter case. | ||
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= Bibliography = | = Bibliography = | ||
| − | + | Doerksen, Victor G. "The Anabaptist Martyr Ballad." <em class="gameo_bibliography">Mennonite Quarterly Review</em> 51 (January 1977): 5-21. | |
Schreiber, William I. "The Hymns of the Amish <em class="gameo_bibliography"> Ausbund </em> in Philological and Literary perspective." <em class="gameo_bibliography"> Mennonite Quarterly Review</em> 36 (January 1962): 36-60. | Schreiber, William I. "The Hymns of the Amish <em class="gameo_bibliography"> Ausbund </em> in Philological and Literary perspective." <em class="gameo_bibliography"> Mennonite Quarterly Review</em> 36 (January 1962): 36-60. | ||
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{{GAMEO_footer|hp=Vol. 5, p. 50|date=1987|a1_last=Beck|a1_first=Ervin|a2_last= |a2_first= }} | {{GAMEO_footer|hp=Vol. 5, p. 50|date=1987|a1_last=Beck|a1_first=Ervin|a2_last= |a2_first= }} | ||
Revision as of 18:44, 20 August 2013
In light of the great interest that folklorists have shown in ballads, it is interesting that 21 martyr ballads from early Anabaptism were included in the 1583 Ausbund (hymnbook). All depict the martyrdom of a particular person.
Hymns 9 and 29, by Hans Büchel, are romantic stories of a young maiden and knight, respectively, who die in distant places, the maiden also in the far distant past. The remaining hymns (10 through 28) depict actual 16th-century Anabaptist martyrs from commonplace backgrounds. The typical plot follows a sequence of arrest, trial, and execution. The trial scenes usually include much dialogue, sometimes on such Anabaptist issues as baptism, rejection of the sacraments (eucharist and confession), the oath, the papacy, the church, and the ban. The narration is simple and understated; the concluding martyrdom stresses the grace of God that enables the believer to be strong to the end.
Victor G. Doerksen, who has made the closest study of the formal qualities of these songs, emphasizes their differences from the ballads admired by poets of the Romantic Era. However, he says little about their relationship to other Protestant martyr ballads of their day and does not speculate on whether or not the Anabaptist ballads circulated orally before they were written down (and, are therefore, truly " folk") or, instead, were written for publication (and are therefore "literary"). Available evidence supports the latter case.
Bibliography
Doerksen, Victor G. "The Anabaptist Martyr Ballad." Mennonite Quarterly Review 51 (January 1977): 5-21.
Schreiber, William I. "The Hymns of the Amish Ausbund in Philological and Literary perspective." Mennonite Quarterly Review 36 (January 1962): 36-60.
| Author(s) | Ervin Beck |
|---|---|
| Date Published | 1987 |
Cite This Article
MLA style
Beck, Ervin. "Ballads." Global Anabaptist Mennonite Encyclopedia Online. 1987. Web. 24 Nov 2024. https://gameo.org/index.php?title=Ballads&oldid=75105.
APA style
Beck, Ervin. (1987). Ballads. Global Anabaptist Mennonite Encyclopedia Online. Retrieved 24 November 2024, from https://gameo.org/index.php?title=Ballads&oldid=75105.
Adapted by permission of Herald Press, Harrisonburg, Virginia, from Mennonite Encyclopedia, Vol. 5, p. 50. All rights reserved.
©1996-2024 by the Global Anabaptist Mennonite Encyclopedia Online. All rights reserved.