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Adriaen Backer, married to Elsje Colijn, was a member of the [[Waterlanders|Waterlander]] Mennonite congregation at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]]. He was a Dutch painter, a pupil of his uncle [[Backer, Jacob Adriaensz (1608-1651)|Jacob Adriaensz Backer]]<em>. </em>For a time he stayed in Rome (1666); upon his return he introduced the baroque style into Holland by imitating Italian masters. The Rijksmuseum at Amsterdam contained four of his paintings in the 1950s. | Adriaen Backer, married to Elsje Colijn, was a member of the [[Waterlanders|Waterlander]] Mennonite congregation at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]]. He was a Dutch painter, a pupil of his uncle [[Backer, Jacob Adriaensz (1608-1651)|Jacob Adriaensz Backer]]<em>. </em>For a time he stayed in Rome (1666); upon his return he introduced the baroque style into Holland by imitating Italian masters. The Rijksmuseum at Amsterdam contained four of his paintings in the 1950s. | ||
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= Bibliography = | = Bibliography = | ||
<em class="gameo_bibliography">Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis</em> 43 (1926): 292. | <em class="gameo_bibliography">Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis</em> 43 (1926): 292. | ||
Thieme, Ulrich and Felix Becker. <em class="gameo_bibliography">Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Unter Mitwirkung von 300 Fachgelehrten des In-und Auslandes</em>, 37 vols. Leipzig: W. Englemann, 1907-1950. | Thieme, Ulrich and Felix Becker. <em class="gameo_bibliography">Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Unter Mitwirkung von 300 Fachgelehrten des In-und Auslandes</em>, 37 vols. Leipzig: W. Englemann, 1907-1950. | ||
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{{GAMEO_footer|hp=Vol. 1, p. 204|date=1955|a1_last=van der Zijpp|a1_first=Nanne|a2_last= |a2_first= }} | {{GAMEO_footer|hp=Vol. 1, p. 204|date=1955|a1_last=van der Zijpp|a1_first=Nanne|a2_last= |a2_first= }} |
Revision as of 18:44, 20 August 2013
Adriaen Backer, married to Elsje Colijn, was a member of the Waterlander Mennonite congregation at Amsterdam. He was a Dutch painter, a pupil of his uncle Jacob Adriaensz Backer. For a time he stayed in Rome (1666); upon his return he introduced the baroque style into Holland by imitating Italian masters. The Rijksmuseum at Amsterdam contained four of his paintings in the 1950s.
Bibliography
Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis 43 (1926): 292.
Thieme, Ulrich and Felix Becker. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Unter Mitwirkung von 300 Fachgelehrten des In-und Auslandes, 37 vols. Leipzig: W. Englemann, 1907-1950.
Author(s) | Nanne van der Zijpp |
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Date Published | 1955 |
Cite This Article
MLA style
van der Zijpp, Nanne. "Backer, Adriaen (1635-1684)." Global Anabaptist Mennonite Encyclopedia Online. 1955. Web. 1 Sep 2024. https://gameo.org/index.php?title=Backer,_Adriaen_(1635-1684)&oldid=75052.
APA style
van der Zijpp, Nanne. (1955). Backer, Adriaen (1635-1684). Global Anabaptist Mennonite Encyclopedia Online. Retrieved 1 September 2024, from https://gameo.org/index.php?title=Backer,_Adriaen_(1635-1684)&oldid=75052.
Adapted by permission of Herald Press, Harrisonburg, Virginia, from Mennonite Encyclopedia, Vol. 1, p. 204. All rights reserved.
©1996-2024 by the Global Anabaptist Mennonite Encyclopedia Online. All rights reserved.