Difference between revisions of "Harmonia Sacra"
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| − | + | [[File:HarmoniaSacra1993.jpg|300px|thumb|right|''Title page of 25th ed.'']] | |
| − | + | <em>Harmonia Sacra</em> is a hymnbook published in 1832 by [[Funk, Joseph (1778-1862)| Joseph Funk (1778-1862)]] of Mountain Valley near Harrisonburg, Virginia. Remembered as "the father of song" in Northern Virginia, Funk was a pioneer leader, teacher, author, translator, and publisher of music. The book originally bore the title, <em>A Compilation of Genuine Church Music</em> (Winchester, VA., 1832, pp. 208 long octavo), but was renamed <em>Harmonia Sacra</em> in the 5<sup>th</sup> edition (Mountain Valley, 1851) with the first title continued as subtitle. This music textbook, in a 25<sup>th</sup> edition (Intercourse, PA: Good Books, 1993), has reached a total issue of nearly 100,000 copies. | |
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Designed for use in singing schools, the book contained a variety of meters, all harmonized for three voices (four since the 11th or 12th ed.) together with "a copious elucidation of the science of vocal music." Four syllables, faw, sol, law, mi (the master note), seven since the 1851 printing, were used. As an aid to reading the notes in the various keys the compiler invented "patent" or character notes, a different shape for each syllable, which with slight modifications persist in a number of modern hymnals. | Designed for use in singing schools, the book contained a variety of meters, all harmonized for three voices (four since the 11th or 12th ed.) together with "a copious elucidation of the science of vocal music." Four syllables, faw, sol, law, mi (the master note), seven since the 1851 printing, were used. As an aid to reading the notes in the various keys the compiler invented "patent" or character notes, a different shape for each syllable, which with slight modifications persist in a number of modern hymnals. | ||
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In 1847 a hymnal adapted for church use was compiled from selections drawn from the book and published under the title <em>Psalms, Hymns, and Spiritual Songs</em>. This new book was used widely in Mennonite churches and became a source from which in 1902 the <em>Church and Sunday School Hymnal</em> was compiled. | In 1847 a hymnal adapted for church use was compiled from selections drawn from the book and published under the title <em>Psalms, Hymns, and Spiritual Songs</em>. This new book was used widely in Mennonite churches and became a source from which in 1902 the <em>Church and Sunday School Hymnal</em> was compiled. | ||
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= Additional Information = | = Additional Information = | ||
<em>Harmonia Sacra</em> [http://harmoniasacra.org/ website] | <em>Harmonia Sacra</em> [http://harmoniasacra.org/ website] | ||
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{{GAMEO_footer|hp=Vol. 2, pp. 664-665|date=1956|a1_last=Lehman|a1_first=Chester K|a2_last= |a2_first= }} | {{GAMEO_footer|hp=Vol. 2, pp. 664-665|date=1956|a1_last=Lehman|a1_first=Chester K|a2_last= |a2_first= }} | ||
| + | [[Category:Hymnals and Songbooks]] | ||
Latest revision as of 04:06, 15 January 2015
Harmonia Sacra is a hymnbook published in 1832 by Joseph Funk (1778-1862) of Mountain Valley near Harrisonburg, Virginia. Remembered as "the father of song" in Northern Virginia, Funk was a pioneer leader, teacher, author, translator, and publisher of music. The book originally bore the title, A Compilation of Genuine Church Music (Winchester, VA., 1832, pp. 208 long octavo), but was renamed Harmonia Sacra in the 5th edition (Mountain Valley, 1851) with the first title continued as subtitle. This music textbook, in a 25th edition (Intercourse, PA: Good Books, 1993), has reached a total issue of nearly 100,000 copies.
Designed for use in singing schools, the book contained a variety of meters, all harmonized for three voices (four since the 11th or 12th ed.) together with "a copious elucidation of the science of vocal music." Four syllables, faw, sol, law, mi (the master note), seven since the 1851 printing, were used. As an aid to reading the notes in the various keys the compiler invented "patent" or character notes, a different shape for each syllable, which with slight modifications persist in a number of modern hymnals.
In addition to the theoretical part, the book is composed almost entirely of hymns and anthems, a considerable portion of which is of very high quality. Many of the songs look at the Christian life as a pilgrimage and in joyful mood anticipate heaven.
In 1847 a hymnal adapted for church use was compiled from selections drawn from the book and published under the title Psalms, Hymns, and Spiritual Songs. This new book was used widely in Mennonite churches and became a source from which in 1902 the Church and Sunday School Hymnal was compiled.
Additional Information
Harmonia Sacra website
| Author(s) | Chester K Lehman |
|---|---|
| Date Published | 1956 |
Cite This Article
MLA style
Lehman, Chester K. "Harmonia Sacra." Global Anabaptist Mennonite Encyclopedia Online. 1956. Web. 22 Nov 2024. https://gameo.org/index.php?title=Harmonia_Sacra&oldid=130421.
APA style
Lehman, Chester K. (1956). Harmonia Sacra. Global Anabaptist Mennonite Encyclopedia Online. Retrieved 22 November 2024, from https://gameo.org/index.php?title=Harmonia_Sacra&oldid=130421.
Adapted by permission of Herald Press, Harrisonburg, Virginia, from Mennonite Encyclopedia, Vol. 2, pp. 664-665. All rights reserved.
©1996-2024 by the Global Anabaptist Mennonite Encyclopedia Online. All rights reserved.