Souterliedekens - Revision history

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Souterliedekens, a Dutch medieval term for Psalms, were much used in the 16th-century Reformation period. "The Souterliedekens, though intended for the use of the [[Roman Catholic Church|Catholics]], form the transition to the congregational singing of the Reformed" (Wolkan). A well-known edition was the one published at [[Antwerp (Belgium)|Antwerp, Belgium]], in 1540 under the title Souterliedekens, Ghemaeckt ter eeren Gods op alle die Psalmen van David: tot stichtinghe ende een gheestelijcke vermakjnghe van allen Christen menschen. This edition was reprinted more than 30 times under a variety of titles, the last reprint having been published in 1652 by Karel de Fleger (Vlieger), a Mennonite printer at Hamburg, [[Germany|Germany]].

Though the early Dutch [[Anabaptism|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen|Lietboeck]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites|Hymnology]].)

= Bibliography =
Wieder, F. C. Schriftuurlijke Liedekens. The Hague, 1900: 129 et passim.

Wolkan, Rudolf. Die Lieder der Wiedertäufer. Berlin, 1903. Reprinted Nieuwkoop: B. De Graaf, 1965: 58.

{{GAMEO_footer|hp=Vol. 4, p. 582|date=1959|a1_last=van der Zijpp|a1_first=Nanne|a2_last=|a2_first=}}

← Older revision		Revision as of 16:00, 20 January 2014
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	Wolkan, Rudolf. <em>Die Lieder der Wiedertäufer</em>. Berlin, 1903. Reprinted Nieuwkoop: B. De Graaf, 1965: 58.		Wolkan, Rudolf. <em>Die Lieder der Wiedertäufer</em>. Berlin, 1903. Reprinted Nieuwkoop: B. De Graaf, 1965: 58.
−	{{GAMEO_footer\|hp=Vol. 4, p. 582\|date=1959\|a1_last=~~van der~~ Zijpp\|a1_first=Nanne\|a2_last=\|a2_first=}}	+	{{GAMEO_footer\|hp=Vol. 4, p. 582\|date=1959\|a1_last=Zijpp\|a1_first=Nanne van der\|a2_last=\|a2_first=}}

← Older revision		Revision as of 21:36, 2 December 2013
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−	Souterliedekens, a Dutch medieval term for Psalms, were much used in the 16th-century Reformation period. "The Souterliedekens, though intended for the use of the [[Roman Catholic Church\|Catholics]], form the transition to the congregational singing of the Reformed" (Wolkan). A well-known edition was the one published at [[Antwerp (Belgium)\|Antwerp, Belgium]], in 1540 under the title <em>Souterliedekens, Ghemaeckt ter eeren Gods op alle die Psalmen van David: tot stichtinghe ende een gheestelijcke ~~vermakjnghe~~ van allen Christen menschen.</em> This edition was reprinted more than 30 times under a variety of titles, the last reprint having been published in 1652 by Karel de Fleger (Vlieger), a Mennonite printer at Hamburg, [[Germany\|Germany]].	+	Souterliedekens, a Dutch medieval term for Psalms, were much used in the 16th-century Reformation period. "The Souterliedekens, though intended for the use of the [[Roman Catholic Church\|Catholics]], form the transition to the congregational singing of the Reformed" (Wolkan). A well-known edition was the one published at [[Antwerp (Belgium)\|Antwerp, Belgium]], in 1540 under the title <em>Souterliedekens, Ghemaeckt ter eeren Gods op alle die Psalmen van David: tot stichtinghe ende een gheestelijcke vermakinghe van allen Christen menschen.</em> This edition was reprinted more than 30 times under a variety of titles, the last reprint having been published in 1652 by Karel de Fleger (Vlieger), a Mennonite printer at Hamburg, [[Germany\|Germany]].

	Though the early Dutch [[Anabaptism\|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen\|<em>Lietboeck</em>]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns\|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites\|Hymnology]].)		Though the early Dutch [[Anabaptism\|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen\|<em>Lietboeck</em>]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns\|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites\|Hymnology]].)

@@ Line 1: / Line 1: @@
 Souterliedekens, a Dutch medieval term for Psalms, were much used in the 16th-century Reformation period. "The Souterliedekens, though intended for the use of the [[Roman Catholic Church|Catholics]], form the transition to the congregational singing of the Reformed" (Wolkan). A well-known edition was the one published at [[Antwerp (Belgium)|Antwerp, Belgium]], in 1540 under the title <em>Souterliedekens, Ghemaeckt ter eeren Gods op alle die Psalmen van David: tot stichtinghe ende een gheestelijcke vermakjnghe van allen Christen menschen.</em> This edition was reprinted more than 30 times under a variety of titles, the last reprint having been published in 1652 by Karel de Fleger (Vlieger), a Mennonite printer at Hamburg, [[Germany|Germany]].
-Though the early Dutch [[Anabaptism|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen|&lt;em&gt;Lietboeck&lt;/em&gt;]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites|Hymnology]].)
+Though the early Dutch [[Anabaptism|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen|<em>Lietboeck</em>]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites|Hymnology]].)
 = Bibliography =
 Wieder, F. C. <em>Schriftuurlijke Liedekens.</em> The Hague, 1900: 129 <em>et passim</em>.

@@ Line 2: / Line 2: @@
 Though the early Dutch [[Anabaptism|Anabaptists]] knew the "souterliedekens" and some martyrs are said to have sung a "souterlieken," these Psalms were apparently not popular among the Anabaptists: the reason may have been that the "souterliedekens" had come from Catholicism, with which they wished to make a complete break. They preferred to sing the "liedekens" (songs) written by or in honor of the martyrs, and it was not before the publication of the [[Lietboeck, inhoudende Schriftuerlijcke Vermaen Liederen|&lt;em&gt;Lietboeck&lt;/em&gt;]] of Hans de Ries in 1582, which contained some Psalms, that singing of Psalms was introduced in at least a number of Mennonite congregations. (See also [[Psalms as Hymns|Psalms]] and [[Hymnology of the Swiss, French, and South German Mennonites|Hymnology]].)
 = Bibliography =
 Wieder, F. C. <em>Schriftuurlijke Liedekens.</em> The Hague, 1900: 129 <em>et passim</em>.
 Wolkan, Rudolf. <em>Die Lieder der Wiedertäufer</em>. Berlin, 1903. Reprinted Nieuwkoop: B. De Graaf, 1965: 58.
 {{GAMEO_footer|hp=Vol. 4, p. 582|date=1959|a1_last=van der Zijpp|a1_first=Nanne|a2_last=|a2_first=}}