Graphic Design - Revision history

RichardThiessen: Text replace - "The Mennonite" to "''The Mennonite''"

2017-01-15T22:58:12Z

Text replace - "The Mennonite" to "''The Mennonite''"

GameoAdmin: CSV import - 20130823

2013-08-23T14:03:11Z

CSV import - 20130823

GameoAdmin: CSV import - 20130820

2013-08-20T19:47:29Z

CSV import - 20130820

GameoAdmin: CSV import - 20130816

2013-08-16T18:55:05Z

CSV import - 20130816

New page

Graphic Design applies various forms to convey a visual and verbal message. Designers use typography, symbols, illustrations, photography, or combinations of these to reach an audience, trying for solutions that communicate well and are also direct and inexpensive. Graphic design, a term coined in 1922, became a self-conscious discipline in the mid-20th century when it was first taught in [[Art (1955)|art]] schools.

[[Mennonite Press (Newton, Kansas, USA) |Mennonite Press]] ([[North Newton (Kansas, USA)|North Newton]], Kansas, USA) and [[Mennonite Central Committee (International)|Mennonite Central Committee]] in the early 1950s were among the first Mennonite agencies to apply the problem-solving skills of designers to publications and other visual forms. [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] and Herald Press (Scottdale, Pennsylvania, USA) and Faith and Life Press ([[Newton (Kansas, USA)|Newton]], [[Kansas (USA)|Kansas]], USA) followed. This partial survey of the work of a number of graphic designers illustrates the value their special gifts have added to the life of the church.

[[File:MCCLogo.gif|300px|thumb|right|'''']] In 1958, Kenneth Hiebert, an early designer for Mennonite Press, entered the graphic design class of Basel's Allgemeine Gewerbeschule. He later received the Swiss National Diploma in Design. On assignment from [[Mennonite Central Committee (International)|Mennonite Central Committee]] and [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] (Herald Press), he was designer for Agape Verlag, a European Mennonite publisher, 1954-59. In 1964, he produced the Mennonite exhibit for the Protestant Pavilion at the [[New York (USA)|New York]] World's Fair. For Mennonite Central Committee he developed the dove and cross symbol adopted in the late 1960s, and designed annual reports and the More-with-Less books. For Fortress Press, he designed the Hermeneia Commentary Series which won an award from the American Institute of Graphic arts in 1971. He joined the staff of the Philadelphia College of Art as chairman of its graphic design department in 1966 and was named professor in 1973. His work is in the collections of the Museum of Modern Art, the Cooper-Hewitt Museum, and Gewerbemuseum-Basel and has also been noted in a major text (Meggs, p. 490).

The first graphic design course to be taught in a Mennonite school was introduced by Robert W. Regier in 1976 at [[Bethel College (North Newton, Kansas, USA)|Bethel College]] (Kansas, USA) to provide skills for visual communication such as typography, layout, illustration, trademarks, and preparing of art for printing. He studied at the School of the Art Institute of Chicago and received his fine arts degree from the U. of Illinois. Chair of the Bethel College art department beginning in 1965, Regier was staff designer for Mennonite Press, 1950-52, and for Mennonite Central Committee, 1953-55. He was art director for the [[General Conference Mennonite Church (GCM)|General Conference Mennonite Church]], 1957-63, where he developed the cross and orb symbol for the General Conference. After 1984, he became responsible for exhibition design at Kauffman Museum, North Newton, KS.

[[File:Bicentennial.jpg|300px|thumb|right|'''']] Glenn Fretz, [[Toronto (Ontario, Canada)|Toronto]] and Waterloo (Ontario, Canada), from his own studio, offered specialties in signage, identity programs, corporate annual reports, and computer graphics. In 1978 he designed books, exhibits, signs, and symbols for the Mennonite World Conference, Wichita. He has developed symbols for the 1984 Strasbourg and 1990 Winnipeg Mennonite World Conference assemblies and many other agencies including Associated Mennonite Biblical Seminaries; [[Mennonite Board of Missions (Mennonite Church)|Mennonite Board of Missions]] (MC); Mennonite Bicentennial Commission (Canada); SELFHELP Crafts; Mennonite Savings and Credit Union (Ontario); Rockway Mennonite Collegiate, [[Kitchener-Waterloo (Ontario, Canada)|Kitchener]], ON; and the Believers Church Bible Commentary series. He developed exhibits and interior design for the Meetingplace, St. Jacobs, ON.

Gerald Loewen, Winnipeg, did graphic design for [[Canadian Mennonite Bible College (Winnipeg, Manitoba, Canada)|Canadian Mennonite Bible College]] and the [[Conference of Mennonites in Canada|Conference of Mennonites in Canada]]. He has worked on design projects for Mennonite Central Committee Canada, Mennonite Economic Development Associates, Manitoba Mennonite Historical Society, Mennonite Media Society, and [[Canadian Foodgrains Bank (Winnipeg, Manitoba, Canada)|Canada-wide Food Bank]]. He taught graphics arts at Canadian Mennonite Bible College and graphic arts photography at Red River Community College.

Joseph Alderfer, formerly design director for [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]], joined the U. of Chicago Press in 1967 to become manager of design with major involvement in books. In 1985, he designed a leaded glass window for the chapel at Philhaven Hospital, Mt. Gretna, PA. He also designed Sent, a [[Mennonite Board of Missions (Mennonite Church)|Mennonite Board of Missions]] (MC) magazine. His work has been recognized by the Society of Typographic Arts, the Chicago Book Clinic, the New York Art Director's Club, and the American Institute of Graphic Arts and has been published in Graphis and Communications Arts.

John M. Hiebert served as chief designer for Mennonite Press after 1954. Besides designing most of the books published by Faith and Life Press and other publications produced by the printery, he also designed for Faith and Life Church Bulletin Service and, after 1963, art director for The Mennonite, which has been cited by the Associated Church Press for its visual quality.

Ann Graber Miller taught graphic design at [[Goshen College (Goshen, Indiana, USA)|Goshen College]], 1986-88, and served as college designer. in her work for [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] (Herald Press), 1982-85, her design for The God of Sarah, Rebekah, and Rachel by Barbara Keener Shenk received honorable mention from the Printing Industry of Western [[Pennsylvania (USA)|Pennsylvania]].

Judith Rempel Smucker, designer for Mennonite Central Committee, 1979-85, was trained at U. of Manitoba, [[Bethel College (North Newton, Kansas, USA)|Bethel College]], and Basel's Allgemeine Gewerbeschule. Her record jacket design for I Can Make Peace (Mennonite Central Committee, 1983) received special notice. She prepared the logo for the Lion and the Lamb Peace Arts Center, [[Bluffton University (Bluffton, Ohio, USA)|Bluffton College]].

Christine Siemens Lautt, who served as designer for Mennonite Central Committee, 1973-1975, has designed publications for Southwestern College (Kansas, USA), Bethel College, and for the General Conference Mennonite Church's Call to Kingdom Commitments Scott Jost, Bethel College 1985, served as graphic artist for the Mennonite Central Committee, 1985-87, and for Bethel College.

= Bibliography =
Meggs, Philip B. A History of Graphic Design. New York: Van Nostrand Reinhold, 1983.

{{GAMEO_footer|hp=Vol. 5, p. 353-354|date=1989|a1_last=Shelly|a1_first=Maynard|a2_last= |a2_first= }}

@@ Line 13: / Line 13: @@
 Joseph Alderfer, formerly design director for [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]], joined the U. of Chicago Press in 1967 to become manager of design with major involvement in books. In 1985, he designed a leaded glass window for the chapel at Philhaven Hospital, Mt. Gretna, PA. He also designed <em>Sent</em>, a [[Mennonite Board of Missions (Mennonite Church)|Mennonite Board of Missions]] (MC) magazine. His work has been recognized by the Society of Typographic Arts, the Chicago Book Clinic, the New York Art Director's Club, and the American Institute of Graphic Arts and has been published in <em>Graphis and Communications Arts</em>.
-John M. Hiebert served as chief designer for Mennonite Press after 1954. Besides designing most of the books published by Faith and Life Press and other publications produced by the printery, he also designed for Faith and Life Church Bulletin Service and, after 1963, art director for <em>The Mennonite</em>, which has been cited by the Associated Church Press for its visual quality.
+John M. Hiebert served as chief designer for Mennonite Press after 1954. Besides designing most of the books published by Faith and Life Press and other publications produced by the printery, he also designed for Faith and Life Church Bulletin Service and, after 1963, art director for ''The Mennonite'', which has been cited by the Associated Church Press for its visual quality.
 Ann Graber Miller taught graphic design at [[Goshen College (Goshen, Indiana, USA)|Goshen College]], 1986-88, and served as college designer. in her work for [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] (Herald Press), 1982-85, her design for <em>The God of Sarah, Rebekah, and Rachel</em> by Barbara Keener Shenk received honorable mention from the Printing Industry of Western [[Pennsylvania (USA)|Pennsylvania]].

@@ Line 3: / Line 3: @@
 [[Mennonite Press (Newton, Kansas, USA) |Mennonite Press]] ([[North Newton (Kansas, USA)|North Newton]], Kansas, USA) and [[Mennonite Central Committee (International)|Mennonite Central Committee]] in the early 1950s were among the first Mennonite agencies to apply the problem-solving skills of designers to publications and other visual forms. [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] and Herald Press (Scottdale, Pennsylvania, USA) and Faith and Life Press ([[Newton (Kansas, USA)|Newton]], [[Kansas (USA)|Kansas]], USA) followed. This partial survey of the work of a number of graphic designers illustrates the value their special gifts have added to the life of the church.
-[[File:MCCLogo.gif|300px|thumb|right|'''']]     In 1958, Kenneth Hiebert, an early designer for Mennonite Press, entered the graphic design class of Basel's Allgemeine Gewerbeschule. He later received the Swiss National Diploma in Design. On assignment from [[Mennonite Central Committee (International)|Mennonite Central Committee]] and [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] (Herald Press), he was designer for Agape Verlag, a European Mennonite publisher, 1954-59. In 1964, he produced the Mennonite exhibit for the Protestant Pavilion at the [[New York (USA)|New York]] World's Fair. For Mennonite Central Committee he developed the dove and cross symbol adopted in the late 1960s, and designed annual reports and the More-with-Less books. For Fortress Press, he designed the Hermeneia Commentary Series which won an award from the American Institute of Graphic arts in 1971. He joined the staff of the Philadelphia College of Art as chairman of its graphic design department in 1966 and was named professor in 1973. His work is in the collections of the Museum of Modern Art, the Cooper-Hewitt Museum, and Gewerbemuseum-Basel and has also been noted in a major text (Meggs, p. 490).
+[[File:MCCLogo.gif|300px|thumb|right|'''']]     In 1958, Kenneth Hiebert, an early designer for Mennonite Press, entered the graphic design class of Basel's Allgemeine Gewerbeschule. He later received the Swiss National Diploma in Design. On assignment from [[Mennonite Central Committee (International)|Mennonite Central Committee]] and [[Mennonite Publishing House (Scottdale, Pennsylvania, USA)|Mennonite Publishing House]] (Herald Press), he was designer for Agape Verlag, a European Mennonite publisher, 1954-59. In 1964, he produced the Mennonite exhibit for the Protestant Pavilion at the [[New York (USA)|New York ]] World's Fair. For Mennonite Central Committee he developed the dove and cross symbol adopted in the late 1960s, and designed annual reports and the More-with-Less books. For Fortress Press, he designed the Hermeneia Commentary Series which won an award from the American Institute of Graphic arts in 1971. He joined the staff of the Philadelphia College of Art as chairman of its graphic design department in 1966 and was named professor in 1973. His work is in the collections of the Museum of Modern Art, the Cooper-Hewitt Museum, and Gewerbemuseum-Basel and has also been noted in a major text (Meggs, p. 490).
 The first graphic design course to be taught in a Mennonite school was introduced by Robert W. Regier in 1976 at [[Bethel College (North Newton, Kansas, USA)|Bethel College]] (Kansas, USA) to provide skills for visual communication such as typography, layout, illustration, trademarks, and preparing of art for printing. He studied at the School of the Art Institute of Chicago and received his fine arts degree from the U. of Illinois. Chair of the Bethel College art department beginning in 1965, Regier was staff designer for Mennonite Press, 1950-52, and for Mennonite Central Committee, 1953-55. He was art director for the [[General Conference Mennonite Church (GCM)|General Conference Mennonite Church]], 1957-63, where he developed the cross and orb symbol for the General Conference. After 1984, he became responsible for exhibition design at Kauffman Museum, North Newton, KS.

@@ Line 20: / Line 20: @@
 Christine Siemens Lautt, who served as designer for Mennonite Central Committee, 1973-1975, has designed publications for Southwestern College (Kansas, USA), Bethel College, and for the General Conference Mennonite Church's Call to Kingdom Commitments Scott Jost, Bethel College 1985, served as graphic artist for the Mennonite Central Committee, 1985-87, and for Bethel College.
 = Bibliography =
 Meggs, Philip B. <em>A History of Graphic Design.</em> New York: Van Nostrand Reinhold, 1983.
 {{GAMEO_footer|hp=Vol. 5, p. 353-354|date=1989|a1_last=Shelly|a1_first=Maynard|a2_last= |a2_first= }}