Backer, Jacob Adriaensz (1608-1651) - Revision history

RichardThiessen: Replaced link to Wikimedia Commons file with file downloaded from Wikimedia Commons.

2014-11-22T21:41:26Z

Replaced link to Wikimedia Commons file with file downloaded from Wikimedia Commons.

RichardThiessen: Replaced image.

2014-07-25T02:54:05Z

Replaced image.

RichardThiessen: Added categories.

2014-07-06T23:17:12Z

Added categories.

RichardThiessen: Text replace - ". " to ". "

2014-04-12T05:26:48Z

Text replace - ". " to ". "

RichardThiessen: Text replace - "date=1955|a1_last=van der Zijpp|a1_first=Nanne" to "date=1955|a1_last=Zijpp|a1_first=Nanne van der"

2014-01-20T19:53:04Z

Text replace - "date=1955|a1_last=van der Zijpp|a1_first=Nanne" to "date=1955|a1_last=Zijpp|a1_first=Nanne van der"

GameoAdmin: CSV import - 20130823

2013-08-23T13:52:38Z

CSV import - 20130823

GameoAdmin: CSV import - 20130820

2013-08-20T18:44:20Z

CSV import - 20130820

GameoAdmin: CSV import - 20130816

2013-08-16T18:40:47Z

CSV import - 20130816

New page

[[File:Jacob-Adriaensz.-Backer.jpg|300px|thumb|right|''Das Gehör by Jacob

Adriaensz Backer, ca. 1635

Source: [http://en.wikipedia.org/wiki/Image:Jacob_Adriaensz._Backer_001.jpg Wikipedia Commons] Wikipedia Commons

'']] Jacob Adriaensz Backer, born 1608 at Harlingen, Dutch province of [[Friesland (Netherlands)|Friesland]] (where his father, Adriaen Tjercksz, a baker, was a deacon of the [[Waterlanders|Waterlander]] Mennonite Church), died 27 August 1651 at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]], was a Dutch painter. He was first a pupil of [[Jacobsz, Lambert (ca. 1598-1636)|Lambert Jacobsz]], and later on of [[Rembrandt Harmensz van Rijn (1607-1669)|Rembrandt]], whose way of painting he followed, without reaching the deep penetrating psychology of the master. Yet he was a painter of good reputation and his pictures were in high favor. An "Erection of the Cross" of 1633 is called a master piece. He chiefly painted portraits and groups (corporation and civic-guards pictures). He had many pupils, including [[Backer, Adriaen (1635-1684)|Adriaen Backer]]. After 1650 the quality of his pictures is inferior to his earlier ones. Many of his paintings must have been lost. He also made many drawings. There is a self-portrait of him, now in the museum of Lyons (France). About his life very little is known; likely he was unmarried.

= Bibliography =
Bauch, Kurt. Jakob Adriaensz Backer: ein Rembrandt-Schüler aus Friesland. Berlin, 1912.

Martin, Willem. De Hollandsche schilderkunst in de zeventiende eeuw. 3rd ed. Amsterdam : Meulenhoff, 1944: 112-114.

Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis 42 (1925): 278; 43 (1926): 289-292.

{{GAMEO_footer|hp=Vol. 1, p. 204|date=1955|a1_last=van der Zijpp|a1_first=Nanne|a2_last= |a2_first= }}

@@ Line 1: / Line 1: @@
-[[File:Jacob Adriaensz Backer - portrait of an old woman in an armchair 14.40.603.jpg|300px|thumb|right|''Portrait of a Woman by Jacob Adriaensz Backer<br />
+[[File:Jacob Adriaensz Backer - portrait of an old woman in an armchair.jpg|300px|thumb|right|''Portrait of a Woman by Jacob Adriaensz Backer<br />
 Metropolitan Museum of Art, New York<br />
 Source: [https://en.wikipedia.org/wiki/File:Jacob_Adriaensz_Backer_-_portrait_of_an_old_woman_in_an_armchair_14.40.603.jpg Wikipedia Commons]'']]

@@ Line 1: / Line 1: @@
-[[File:Jacob-Adriaensz.-Backer.jpg|300px|thumb|right|''Das Gehör by Jacob Adriaensz Backer, ca. 1635<br />
+[[File:Jacob Adriaensz Backer - portrait of an old woman in an armchair 14.40.603.jpg|300px|thumb|right|''Portrait of a Woman by Jacob Adriaensz Backer<br />
-Source: [http://en.wikipedia.org/wiki/Image:Jacob_Adriaensz._Backer_001.jpg Wikipedia Commons]'']]
+Metropolitan Museum of Art, New York<br />
 Jacob Adriaensz Backer, born 1608 at Harlingen, Dutch province of [[Friesland (Netherlands)|Friesland]] (where his father, Adriaen Tjercksz, a baker, was a deacon of the [[Waterlanders|Waterlander]] Mennonite Church), died 27 August 1651 at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]], was a Dutch painter. He was first a pupil of [[Jacobsz, Lambert (ca. 1598-1636)|Lambert Jacobsz]], and later on of [[Rembrandt Harmensz van Rijn (1607-1669)|Rembrandt]], whose way of painting he followed, without reaching the deep penetrating psychology of the master. Yet he was a painter of good reputation and his pictures were in high favor. An "Erection of the Cross" of 1633 is called a master piece. He chiefly painted portraits and groups (corporation and civic-guards pictures). He had many pupils, including [[Backer, Adriaen (1635-1684)|Adriaen Backer]]. After 1650 the quality of his pictures is inferior to his earlier ones. Many of his paintings must have been lost. He also made many drawings. There is a self-portrait of him, now in the museum of Lyons (France). About his life very little is known; likely he was unmarried.
 = Bibliography =

@@ Line 1: / Line 1: @@
-[[File:Jacob-Adriaensz.-Backer.jpg|300px|thumb|right|''Das Gehör by Jacob
+[[File:Jacob-Adriaensz.-Backer.jpg|300px|thumb|right|''Das Gehör by Jacob Adriaensz Backer, ca. 1635<br />
 Source: [http://en.wikipedia.org/wiki/Image:Jacob_Adriaensz._Backer_001.jpg Wikipedia Commons]'']]
-Adriaensz Backer, ca. 1635
+Jacob Adriaensz Backer, born 1608 at Harlingen, Dutch province of [[Friesland (Netherlands)|Friesland]] (where his father, Adriaen Tjercksz, a baker, was a deacon of the [[Waterlanders|Waterlander]] Mennonite Church), died 27 August 1651 at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]], was a Dutch painter. He was first a pupil of [[Jacobsz, Lambert (ca. 1598-1636)|Lambert Jacobsz]], and later on of [[Rembrandt Harmensz van Rijn (1607-1669)|Rembrandt]], whose way of painting he followed, without reaching the deep penetrating psychology of the master. Yet he was a painter of good reputation and his pictures were in high favor. An "Erection of the Cross" of 1633 is called a master piece. He chiefly painted portraits and groups (corporation and civic-guards pictures). He had many pupils, including [[Backer, Adriaen (1635-1684)|Adriaen Backer]]. After 1650 the quality of his pictures is inferior to his earlier ones. Many of his paintings must have been lost. He also made many drawings. There is a self-portrait of him, now in the museum of Lyons (France). About his life very little is known; likely he was unmarried.
 = Bibliography =
 Bauch, Kurt. <em>Jakob Adriaensz Backer: ein Rembrandt-Schüler aus Friesland</em>. Berlin, 1912.
@@ Line 11: / Line 9: @@
 <em>Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis</em> 42 (1925): 278; 43 (1926): 289-292.
 {{GAMEO_footer|hp=Vol. 1, p. 204|date=1955|a1_last=Zijpp|a1_first=Nanne van der|a2_last= |a2_first= }}

@@ Line 3: / Line 3: @@
 Adriaensz Backer, ca. 1635
-Source: [http://en.wikipedia.org/wiki/Image:Jacob_Adriaensz._Backer_001.jpg Wikipedia Commons]'']]     Jacob Adriaensz Backer, born 1608 at Harlingen, Dutch province of [[Friesland (Netherlands)|Friesland]] (where his father, Adriaen Tjercksz, a baker, was a deacon of the [[Waterlanders|Waterlander]] Mennonite Church), died 27 August 1651 at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]], was a Dutch painter. He was first a pupil of [[Jacobsz, Lambert (ca. 1598-1636)|Lambert Jacobsz]], and later on of [[Rembrandt Harmensz van Rijn (1607-1669)|Rembrandt]], whose way of painting he followed, without reaching the deep penetrating psychology of the master. Yet he was a painter of good reputation and his pictures were in high favor. An "Erection of the Cross" of 1633 is called a master piece. He chiefly painted portraits and groups (corporation and civic-guards pictures). He had many pupils, including [[Backer, Adriaen (1635-1684)|Adriaen Backer]]<em>. </em>After 1650 the quality of his pictures is inferior to his earlier ones. Many of his paintings must have been lost. He also made many drawings. There is a self-portrait of him, now in the museum of Lyons (France). About his life very little is known; likely he was unmarried.
+Source: [http://en.wikipedia.org/wiki/Image:Jacob_Adriaensz._Backer_001.jpg Wikipedia Commons]'']]     Jacob Adriaensz Backer, born 1608 at Harlingen, Dutch province of [[Friesland (Netherlands)|Friesland]] (where his father, Adriaen Tjercksz, a baker, was a deacon of the [[Waterlanders|Waterlander]] Mennonite Church), died 27 August 1651 at [[Amsterdam (Noord-Holland, Netherlands)|Amsterdam]], was a Dutch painter. He was first a pupil of [[Jacobsz, Lambert (ca. 1598-1636)|Lambert Jacobsz]], and later on of [[Rembrandt Harmensz van Rijn (1607-1669)|Rembrandt]], whose way of painting he followed, without reaching the deep penetrating psychology of the master. Yet he was a painter of good reputation and his pictures were in high favor. An "Erection of the Cross" of 1633 is called a master piece. He chiefly painted portraits and groups (corporation and civic-guards pictures). He had many pupils, including [[Backer, Adriaen (1635-1684)|Adriaen Backer]]. After 1650 the quality of his pictures is inferior to his earlier ones. Many of his paintings must have been lost. He also made many drawings. There is a self-portrait of him, now in the museum of Lyons (France). About his life very little is known; likely he was unmarried.
 = Bibliography =
 Bauch, Kurt. <em>Jakob Adriaensz Backer: ein Rembrandt-Schüler aus Friesland</em>. Berlin, 1912.

← Older revision		Revision as of 19:53, 20 January 2014
Line 10:		Line 10:

	<em>Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis</em> 42 (1925): 278; 43 (1926): 289-292.		<em>Oud-Holland: tijdschrift voor Nederlandse kunstgeschiedenis</em> 42 (1925): 278; 43 (1926): 289-292.
−	{{GAMEO_footer\|hp=Vol. 1, p. 204\|date=1955\|a1_last=~~van der~~ Zijpp\|a1_first=Nanne\|a2_last= \|a2_first= }}	+	{{GAMEO_footer\|hp=Vol. 1, p. 204\|date=1955\|a1_last=Zijpp\|a1_first=Nanne van der\|a2_last= \|a2_first= }}