According to The Story of Notation by C. Willems, Souhaitty, a Franciscan monk of Paris, suggested in 1677 that the figures 1 to 7 be used instead of ut, re, me, fa, sol, la, se and that points be added to locate their position on the staff.
In Rousseau's system and in Raymond's work of 1824 dots above and below the figures were to locate the note in the octave; but this was apparently found inadequate. Then Jacob, a French violinist, advised in 1769 that the staff without a signature should be used and numbers be used instead of notes. Other contributors to the method were Pierre Galin (1786-1821), Aimé Paris (1798-1866), and Emile Chevé. Of all these pioneers Rousseau was perhaps closest to the realization of this idea, a practical, easily learned system. It was developed in Germany by Bernhard Christian Ludwig Natorp (1772-1836), a theologian, who made it acceptable for singing. In 1813 Natorp used the figures 1 to 7 for the steps of the scale, indicating the location of the note on the staff by placing a single line under, on, or over it, and using a zero as a rest, and indicating length by adding dashes, dots, and commas. His work went through five editions in Germany. Of his works the following can be mentioned: Ueber den Zweck und die Einrichtungen des Melodienbuches für den Gemeindegesang (1822) and Ueber den Gesang in den Kirchen (1817).
The only Mennonite songbook using numerical notation is the one edited by Heinrich Franz for the Mennonite churches of South Russia, printed at Leipzig, Germany, 1860 and 1880. Five editions were printed in America: two at Elkhart, IN, 1878 and 1918, and three in Manitoba, the last in Altona in 1953.
The following Mennonite musical publications have been printed with numerical notation: Heinrich Franz, Choralbuch (four-part edition, Leipzig, 1860 and 1880) (one-part edition Leipzig, 1865); reprint of the 1865 edition, at Elkhart (1878 and 1918) at Steinbach, Manitoba (1902, printed at Elkhart), at Altona, Manitoba (n.d., and 1946); Choralbuch in vierstimmigem Tonsatz zum Gebrauch in Kirche, Schule and Haus der Mennoniten-Gemeinden, Zusammengestellt im Auftrage der Predigerkonferenz (n.p., Winnipeg, Manitoba, 1935); Joh. Enss, Schulchoralbuch (1886); Choralbuch (n.p., 1914); J. H. Janzen, Choralbuch (1930 in Canada); A. Sawatzky, Gesangschule in Noten and Ziffernoten (n.d., n.p.); G. J. Peters, title unknown (n.p., n.d.); in monthly periodical form, Isaak Born, Sängerfreund (1889-90, 18 months) and Is. Born, H. Braun, K. Neufeld, and J. Janzen, Liederperlen 1891-1914; songbooks as follows: Liedersammlung (von einigen Lehrern 1896); W. N. Russkije pessni (1896); W. N. and J. R., Festgesänge (Part II, 1897); J. and H. Braun, Kinder-Harfe (1902); I. S. Prochanov, Gusli (1911?); J. Froese, Sangesblüten (1914); J. Janzen, Liederalbum (Part I, 1914). A mimeographed edition of selections from the four-part edition of 1860 was published about 1943 in Chortitz, Manitoba.
|Author(s)||Johann Peter, Elizabeth Horsch Bender Klassen|
|Harold S. Bender|
Cite This Article
Klassen, Johann Peter, Elizabeth Horsch Bender and Harold S. Bender. "Ziffersystem (Numerical Musical Notation)." Global Anabaptist Mennonite Encyclopedia Online. 1959. Web. 27 Sep 2016. http://gameo.org/index.php?title=Ziffersystem_(Numerical_Musical_Notation)&oldid=93987.
Klassen, Johann Peter, Elizabeth Horsch Bender and Harold S. Bender. (1959). Ziffersystem (Numerical Musical Notation). Global Anabaptist Mennonite Encyclopedia Online. Retrieved 27 September 2016, from http://gameo.org/index.php?title=Ziffersystem_(Numerical_Musical_Notation)&oldid=93987.
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