Von Mechel was an old publishing house in Basel, Switzerland, which was apparently the only printing office willing to publish whatever the Swiss Mennonites of the late 17th and 18th centuries wanted published. It is well known that this period around the turn of the 17th century was one of harsh persecution by Swiss authorities (mainly in Bern), a time when large-scale emigration to Alsace andthe Palatinate took place. And yet, a number of books, tracts, hymns, and prayers were published, to be sure without any indication as to place, year, and author, which soon became standard devotional material of the Brethren. Careful study of all evidence makes it certain that it was this Mechel publishing house where Mennonites found a willing support, not only at the time of the establishment of the firm in 1685, but all through the following centuries, the last publication known from this house being the Ausbund of 1838.
The history of the Mechel house has never been fully studied. The founder of the firm was Johann Conrad von Mechel (1642-1715), who after having been an itinerant journeyman in his trade all over Europe, married in 1681 a daughter of the well-known Basel printer family of J. J. Decker, and opened his own shop in 1685. Since the Deckers had bought the still older Basel printing office of Henricpetri (16th and 17th century), it is not surprising to find woodcuts and colophons of the Henricpetri era on Mechel productions. The elder Johann Conrad was succeeded by his son of the same name (called Hans Conrad, 1681-1734). After the latter's death the firm was continued by his widow Anna Maria, nee Christ, and her twin sons Johann Conrad and Johann Jakob (born 1730), the "Gebrüder Mechel." The last name of interest to us is Jakob Heinrich von Mechel, active 1830-1840.
Paul Wernle calls this firm "the pietistic publishing house of Basel" (Wernle, 602). Among other books it published the Basel Gesangbuch of 1743 and later editions, and another Reformed Gesangbüchlein of 1726 and later editions. Most remarkable is also the publication of a Totentanz with 41 woodcuts from 1576, eight editions between 1715 and 1842. (The woodcutter was the well-known Basel artist Gregor Sickinger, the rhymes to the plates come from a certain Fröhlich, both around 1576.)
No one has ever noticed the close ties between this press and the Swiss Mennonites which, however, were quite apparent. An advertising list at the end of the 1822 Mechel edition of the Dordrecht Confession of Faith contained nine Swiss Mennonite books and ten other books much in demand by the Brethren. The Mennonite books were as follows: Ausbund, 1809 (earlier editions seem to have come from the same place); Ernsthafte Christenpflicht, 1796; Güldene Aepffel, 1742 (and also 1702); Schabalie, Die Wandelnde Seele, 1811 (and before 1770); Kleines Handbüchlein, etc., 1801; Glaubensbekenntnis, 1822 (and earlier 1742); D. Philips, Enchiridion, 1822; Ein Sendbrief (about 1720); and G. Roosen, Unschuld und Gegenbericht, 1753. It is most likely that Das Gebätt by Hans Reist (around 1700) was also printed here, as well as earlier editions of the Ausbund (1695 or 1699). A Namenbüchlein (see A-B-C-Books) of 1740 was much in use by the Mennonites. Also popular were other Mechel publications such as the Geistliches Lustgärtlein, 1815; Joh. Arndt's Paradiesgärtlein, 1737; Abschied der zwölf Patriarchen, 1744; Sieben Busspsalme, etc., 1751; and Thomas à Kempis (in Teersteegen's translation), 1752 (Friedmann, 98). It is remarkable that in 1822 books more than a century old were still advertised to Swiss Mennonite readers.
Many of these books and pamphlets bore on their title page woodcuts, some of the early 16th century (once the Henricpetri colophon was used), all of which indicated a fairly uniform publishing policy. This policy was all the more remarkable since it did not conform to the leading style of the period (baroque) but rather used and re-used Renaissance or even pre-Renaissance cuts, apparently inherited from the Henricpetri office. Only the death's heads circle was contemporary (around 1700) but it fit very well with the spirit of the reprint of the old Basel Totentanz (originating as far back as 1451) in 1715. A characteristic specimen of the Mechel prints was the Namenbüchlein of 1740 (Bey Johann Conrad von Mechel sel. Wittib) with a woodcut (a family praying before meal), decidedly of early 16th-century origin (Friedmann, plate V; original at Mennonite Historical Library, Goshen, Indiana, USA).
With the Ausbund edition of 1838, the connection between the Swiss Mennonite and Amish groups (in Alsace and the Palatinate) and the Mechel publishing house seemed to come to an end. Much gratitude is due to Mechel, for without its readiness to print all these books the literary history of the Swiss Mennonites would have been much poorer.
Friedmann, R. Mennonite Piety Through the Centuries. Goshen, 1949. Here the relationship between Mennonites and the Mechels is studied for the first time.
Historisch-Biographisches Lexikon der Schweiz.
Neff, Christian. "A Hymn of the Swiss Brethren." Mennonite Quarterly Review 4 (1930): 208 ff.
Personal information from the University Library of Basel and the Oeffentliche Basler Denkmalpflege.
Wernle, Paul. Geschichte des Schweizerischen Protestantismus im 18 Jahrhundert I: Verniinftige Orthodoxie und Pietismus. Tubingen, 1923.
 Cite This Article
Friedmann, Robert. "Mechel, Von (Publishing House)." Global Anabaptist Mennonite Encyclopedia Online. 1957. Web. 22 Oct 2016. http://gameo.org/index.php?title=Mechel,_Von_(Publishing_House)&oldid=133233.
Friedmann, Robert. (1957). Mechel, Von (Publishing House). Global Anabaptist Mennonite Encyclopedia Online. Retrieved 22 October 2016, from http://gameo.org/index.php?title=Mechel,_Von_(Publishing_House)&oldid=133233.
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